Montjuïc. Espai Lliure
In English subtitled in Catalan
€15 / Subscribers €7,5
Hearing assistance via mobile phone
A voice is as singular as a fingerprint. When we scream, we catapult ourselves inside out, revealing that dimension of ourselves in between body and mind, maybe closest to our soul. “To open our mouth and let out sounds from a hole in the middle of our face”, revealing both our strongest power and deepest vulnerability. In collected screams, Sarah Vanhee shares different uttered and non-uttered screams from scientific, philosophical, mythological, artistic and political backgrounds, moving from socially accepted, contextualized and collective screaming to darker, more intimate territories, uncontrolled leakages with no attempt at articulations, infinite screams.
She wonders why we did not scream when we could have screamed and, against the background of patriarchy, re-claims screaming as a tool, a weapon, as instant healing, as a way to unwind or means to express pain, excitement, fear, anger, joy or anything unspeakable. We deserve to scream.
Sarah Vanhee (Oostende, 1980) is an artist, performer and author. Her interdisciplinary work travels in between civil space and institutional art field. She worked in open fields, prisons, private living rooms, theatres, on public canvases, in corporate meeting rooms, etc. Recent works include amongst others undercurrents (intervention), collected screams (lecture-performance), Unforetold (stage performance), The Making of Justice (film), Oblivion (stage performance), Untitled (meetings in private houses), Lecture For Every One (series of intrusions), The C-Project (artist novel and work in public space).
While strongly embedded locally, Vanhee's work has been presented widely internationally in diverse contexts such as Wiener Festwochen (AT), Museo Reina Sofia (Madrid), Kunstenfestivaldesarts (Brussels), FTA (Montreal), Festival Actoral (Marseille), PuSh Festival (Vancouver), Jihlavava IDFF, Van Abbe Museum (Eindhoven), Centre Pompidou (Metz), Short Theatre (Rome), iDans (Istanbul), Printemps de Septembre (Toulouse), Forum Alpbach, Noorderzon (Groningen) etc. She co-published Untranslatables and wrote The Miraculous Life of Claire C and TT, as well as other texts. She regularly collaborates with CAMPO (Ghent) and is founding member of Manyone vzw. Sarah Vanhee is supported by Buda Art Centre for the period 2017- 2021, as well as by the APAP network (Creative Europe Programme of the European Union). From September 2018 on, she is a doctoral student at the Antwerp School of Arts, in collaboration with the Antwerp Research Institute for the Arts. She was awarded a mandate for her research project “bodies of knowledge - the public space as a forum for the exchange of repressed or underexposed knowledge.”
Performative lectures are a subgenre of the performance which was a feature of the programme of Katharsis 20/21. This year, we return to this genre, which is being presented in the Espai Lliure, in order to continue our investigation of how we can convey knowledge through an artistic experience. With local and international artists and theorists, we will be seeking how to combine our intellect and sensitivity to bring to the spectator a wisdom that needs to be conveyed through the aesthetic enjoyment that the theatrical experience gives us. We seek to answer the questions by experience.
DIFFUSION AND TOUR MANAGEMENT
Britt Hatzius, Xiri Tara Noir, Flore Herman and Isabel de Navéran